Is it worth buying on eBay 80 Zoom G1Four patches or just buy 3 that is tested and proven patches?

 The Reality of Multi-Patch Packs

You see them all over eBay and forums: "50 Patches for the Zoom G1 FOUR!" or "100+ Instant Artist Tones!" For a few dollars, it sounds like a steal. But ask yourself: how many of those patches will you actually use?

Most of these massive digital bundles are bloated with filler. They are often generated in batches without being tested on actual stage gear or at high volumes. You download 80 patches, spend hours importing them via Guitar Lab, only to find that 75 of them sound muddy, piercing, or completely unnatural through a real amplifier.

Quantity does not equal quality. Instead of scrolling through dozens of sub-par presets, your playing time is better spent using a few highly optimized, gig-tested tones that actually cut through the mix.

Why Quality Over Quantity Wins for the G1 FOUR

For years, I have been crafting custom patches for the Zoom G1 FOUR and sharing them on YouTube. I’ve built tones for countless guitarists who wanted to replicate their favourite bands and artists. I never charged a cent for those requests because I loved helping the community.

But that experience taught me exactly what makes a patch work in the real world.

A truly great patch isn't just for bedroom practice at low volumes; it needs to survive the dynamics of a live band. The presets I am most proud of have been refined through dozens of real-world gigs, loud jam sessions, and rigorous rehearsals. They don’t just sound good through headphones—they perform flawlessly when plugged directly into a PA or a front-of-house amplifier.

The Power Trio: 3 Patches to Cover a World of Songs

You don't need 80 patches cluttering your Zoom G1 FOUR's memory banks. You only need three core, high-quality tones to cover almost any rock, blues, or metal setlist.

• The Slash Clean Tone Patch: A pristine, warm, and highly responsive clean tone. It forms the perfect foundation for ambient lines, intros, and dynamic verses, capturing that classic, thick neck-pickup clarity.
• The OD Marshall Patch: The quintessential rock rhythm tone. It delivers the organic, biting crunch of a cranked British stack. It cleans up beautifully with your guitar’s volume knob and provides the exact amount of grit needed for classic and modern rock anthems.
• The Slash Lead Tone Patch: Engineered specifically to cut through the mix. It features perfectly dialed-in sustain, smooth mid-range boost, and just the right amount of delay to make your solos soar without sounding washed out.
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With just these three presets, you can confidently cover songs from Guns N' Roses, Led Zeppelin, AC/DC, Velvet Revolver, and dozens of other iconic rock artists.

Upgrade Your Tone at the VRB Store

Stop wasting time tweaking endless lists of unusable presets. Invest in tones that have already done the hard work on stage.

You can get your hands on my exact, battle-tested setups right now. Head over to the VRB Store on PayHip to download the Slash Clean, OD Marshall, and Slash Lead patches today, and take your Zoom G1 FOUR to the next level.

New Discovery - Bass Cab Used As Guitar Cab

 This was pure accident, I used a bass cab during our rehearsal and it sounded amazing. 

Here's my gear that evening:

1. Modded Lyon by Washburn HS guitar. I changed it from 5-way switch to 3-way switch. It's because of the Tele pre-wired harness that I bought online. So it's already got the pots as well as the jack input. It's easy for me to just solder the pickups. So instead of HSS configuration, I disconnected the middle pickup and Im left with just the neck and bridge. 

2. Lekato WS50, guitar wireless system. Been using it for many years and it still works ok.

3. Zoom G1Four, I got customised patches that suits my genre but also suits my rig.

4. Vox MV50AC. 

5. Then this Peavey BW Equipped 15 inch cab. Wasn't sure first if it's a PA or guitar cab but later on found out that it's really a bass cab.

My guitar sounded big on this cab. Also because of my patches, the bass cab can sing. And at one point, it sounded like Marshall even though it's powered by Vox MV50AC but it's got to do with the patch that I created on my Zoom G1Four. 

So yeah happy days. Later on, I found out, while using AI that Stevie Ray Vaughn was using 15 inch bass cab that's where he gets his massive tone. 

A Voice For Jayden at The Anchor Inn Eling Totton 2026

 

A very successful charity gig. Jen organised this Summer Music Festival at The Anchor Inn, Eling Totton for A Voice for Jayden. Loads of acts from DJ Bill to SO Sound Choir, to acoustic acts and full bands. 

I volunteered to handle the sounds. Started assembling the drumkit and then the PA system. Im not a sound guy per se but I got knowledge on how to setup and help out. 

First act was The SO Sound Choir, they got their mini portable PA amp, it's Alto busker I think. It's where their backing track comes out and their Choir Master's mic is plugged in. So, there's not much for me apart from they asked me to put aside our PA speakers because there's loads of them who turned up and they needed the space on our tiny stage. So I just put the speakers down and they did their set. 

Second act were Colleen and Tina doing acoustic act. One guitar, two mics. They got a DI box where Tina's mic and guitar/ukulele were plugged in. So I just need to hook it to our PA. I then just setup one more mic for Colleen and that's it. 

Third Act was Tony, acoustic solo. He's got a pedalboard with everything he needed. I just needed to give him two XLRs for his mic and his acoustic guitar. Pretty much straight forward. 

Oh, I forgot to mention our stage monitor. It's improvised as well. I hooked it up through Aux Send to my Bose S1 Pro and then through Bose's line out to Jen's Samson Expedition XP. Tony said the monitor sounds great. Well it's a solo acoustic act so there's not much loud noise in the way like drums or guitar amps, bass, etc. 

Then next act was Take Cover. Full band. We didnt mic'd up the drums. The guitarist got a Kemper amp and cab. And wants it DI out to our PA. The bassist said initially he's fine but eventually used his DI out from his amp and plugged to our PA. Lead vocals got his effects I think and a wireless mic. So just XLR from us to his mic setup. But I think we had problems with gain staging plus our PA is not that big to handle guitar and bass. But that's what we got and had to make do with it. So the downside was, the vocals was a bit distorted. But it sounded more like effects and the show must go on so yeah. We managed to get by. 

Next act was Regional One, proper rock indie band. Really good and they are already touring band so yeah proper gear, etc. Again downside was our PA plus their guitarist got a massive Marshall tube amp and my guitar cab is an improvised 1x10 Celestion VT-10. I mic'd it up and he still managed to get by. Their bassist got a DI, so from pedalboard, straight to their mixer. They brought their own mixing desk and the vocalist was the one in-charge with their setup. I just had to plug their mixer to our PA. I managed to do justice to their sound. 

Next was acoustic act again, The Jays. Simple setup, just acoustic guitar and then two vocal mics. They brought their own mics for the guitar and backing vocals. I just need to provide the XLRs and the acoustic guitar mic was a condenser mic so I turned on the phantom power. Their lead vocals uses our own mic. They got a drummer but no bassist. So our own bassist, joined in and jam with them. I just plugged his bass straight to the PA.

Last act was us, The Wildcards. We initially decided to use our newly purchased mixer, the Behringer Air XR16. But our drummer decided the setup was already good and said will just use it to save time from swapping stuff. But because it was agreed before hand, as soon as the previous act finished their set, I unplugged the cables so it's ready to be setup for our new mixer. I had to put it back again and good thing there's raffle going on so we got plenty of time to setup. I even setup our singers gear. She's got TC Helicon Voice Live Play. Also I unplugged our floor monitors because we are using in-ears. But then I was too busy setting up that I forgot to set up my own in-ears and focus with the rest of the bands in-ear. My guitar and our bassist got sort of similar setup. Im using a mini amp head which is Vox MV50AC with line out. Then my 1x10 guitar cab. He's using Trace Elliot ELF mini bass amp head which got DI out and then a 2x10 Fender Rumble bass cab. So both of our gear goes to the mixer for our in-ear and just minimal volume for the PA. Drums not mic'd in. Just vocals. We are doing backing vocals so all together we're using three mics. That's our setup. 

I survived my duty as the soundguy and one of the performers as well. So it was a super fun day for me.  

How I Built the "Missing Link" BC110 Winebox Cab

 

If you love the Vox MV50 mini amp heads, you know they sound incredible. But Vox left a glaring hole in their cabinet lineup. [1]

They give us the tiny BC108 (1x8) and the larger BC112 (1x12). But where is the BC110? A 1x10 speaker is the absolute sweet spot for portable gigging punch and British chime.

Since Vox wouldn't make one, I had to build my own. Here is the story of how a cheap winebox, a disassembled donor cab, and a disastrous "Rubik’s Cube" phase turned into my ultimate, gig-tested MV50AC companion.

📊 Project Breakdown At-A-Glance

• The Shell: Cheap wooden winebox
• The Reinforcement: Disassembled thick DIY cabinet panels
• Acoustic Type: Front-ported (via a lucky 2.5 cm baffle shortage)
• The Speaker: Celestion VT10 Jr.
• The Amp Companion: Vox MV50AC

🍇 The Skeleton: A Winebox Hybrid Design

I wanted this build to be budget-friendly, so I started with a cheap wooden winebox. While the box had the perfect footprint, standard winebox wood is far too thin to handle the acoustic pressure of a guitar amplifier.

To fix this, I took a dismantled, proper DIY guitar cabinet and used its thick, heavy-duty wood to reinforce the inside of the winebox.

The Accidental Front Port

During assembly, I ran into a classic DIY hitch. The heavy-duty donor baffle fit perfectly into the sides of the winebox, but it was 2.5 cm too short vertically.

Instead of scrapping it, I leaned into the mistake. By leaving that 2.5 cm gap at the bottom, the enclosure naturally became a front-ported cabinet. This accidental design choice actually boosts the low-end bass response, making this small box punch way above its weight class.

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🔊 The Heart: Squeezing in the Ultimate Vox Match

For the speaker, I dropped in a Celestion VT10 Jr.

Pairing this 10-inch driver with the Vox50AC (AC30 voiced) head is absolute tone perfection. The VT10 Jr. retains that classic, gritty British midrange and top-end chime that Vox is famous for, but the 10-inch speaker pushes significantly more air than Vox's stock 8-inch cabinet. [1]

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🎨 The Ugly Phase: From "Rubik's Cube" to Pro Rig

Every great DIY project goes through an awkward prototype phase. Mine just happened to look like a children's toy.

To protect the wood from the bumps and bruises of the road, I wrapped the cabinet in pieces of a multicoloured rubber floor mat. In my head, it was a genius, shock-absorbing armor. In reality? It looked exactly like a giant Rubik's Cube—blue on the back, green on one side, yellow on the other, and red on the bottom.

I actually gigged with it like this! It certainly turned heads, but not necessarily for the right reasons. After watching me play, my brother pulled me aside and gently stages an intervention: "You need to paint that black so it looks professional."

Taking his advice, I stripped the toy mats and gave it a clean, sleek, stealth-black finish. Now, it looks just as professional as it sounds.

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🎸 The Verdict: A Winebox That Can Gig

This cabinet isn't a prototype anymore; it is a proven road warrior. It proves that you don't need expensive boutique tools to fill the gaps left by major gear manufacturers. With a little bit of scrap wood, the right Celestion speaker, and a can of black paint, you can build the exact rig your tone deserves.

The true test was when I used it during our gig at Alderbury Picnic in the hall.